Buchla 208 + 200e & Strymon Magneto: Tools of Creation
Braxe & Falcon about the Buchla as a limitless sound generator.
Fifteen Questions Interview with Jessica Boudreaux (Summer Cannibals)
Filling in the Weak Spots
Ryan Packard (RedGreenBlue) on Collaboration
"Enjoy the failures as much as the successes. They are both pretty special."
Charlie Kirchen (RedGreenBlue) Shares his Creative Process
"To make the music we want it to make, I have to resist certain temptations."
Paul Giallorenzo (RedGreenBlue) about Improvisation
"Even the freest sounding material has a pulse. Or some kind of cyclical experience of time."
Madelene Eliasson aka LonelyTwin Shares her Creative Process
"Most of the time I have very little idea of what I’m going to make."
Denzel Curry about Death, Creativity, and Luke Skywalker
"Once I was finished with therapy, I could no longer be angry for listeners like I used to be. But I can still channel energy."
Andrew Duhon Shares his Creative Process
"When I'm afraid to say a line, that's exciting to me. Because someone else is probably afraid to say it, too."
Heather Woods Broderick Shares her Creative Process
"Songwriting has been with me for so long. We miss each other if we spend too much time apart."
Mike Storm about Production, Technology, and Creativity
"Stars emerge, stars die. Just like working with analogue equipment."
Bridges into the Present
Glenn Gould, Max Richter and the Four Seasons – how much Respect do Composers Deserve?
Sebastian Reynolds Shares his Creative Process
"If I could communicate verbally what I want to say with my music - why would I bother making it?"
Mica Millar Shares her Creative Process
"A lot of people questioned whether I would ever finish this record."
Sam Slater talks Sound
"I am often very drawn to sounds that remind me of voices - without actually being from a human."
Fear Falls Burning: Frenzy of the Absolute (2008)
Tobias Fischer about an album that was glorious and self-destructive at the same time.
Tools of Creation: Simmons SDE
Bintus about a ruff as f*** drum expander you could pinpoint a mile off.
Tanya Donelly (Belly, Breeders, Throwing Muses, The Loyal Seas) Shares her Creative Process
"At some point, I’d like to try to just let the emptiness happen."
Binker Golding about Improvisation
"There are a million principles about improvisation. Some of them contradictory."
Manuel Göttsching: E2-E4 (1981/1984)
Tobias Fischer about an album that introduced a new approach to improvisation.
WhoMadeWho about the Art of the Song
"Songwriting is one of the last forms of black magic left in this world."
Dirk Serries about Improvisation
"It's an unspoken rule not to talk, negotiate or discuss how to approach a live performance."
Simon Belshaw Shares his Creative Process
"At the completion of a piece, I often feel: I can never do that again."
Tiger Stripes Shares his Creative Process
"Once I've started working on a track, I can’t wait to finish it. It might be a bit like being pregnant."
GAF & The Love Supreme Arkestra about Improvisation
"Some of us have been playing together for more than 20 years. And we still don’t have a clear answer to how we do it."
Alexander Kowalski about Production, Technology, and Creativity
"Some of my tracks take years to get finished. Some will never be."
Andrew Bernstein of Horse Lords Talks Sound
"Sound is always changing, always in flux. This is the state of world also."
Stefan Goldmann about Tools, Instruments & Creativity
“Instruments come first. What you might call creativity follows.”
Sietse van Erve about the Connections between Autism and Music
"The world would be a better place if more people would listen to drone music."
Hans P. Kjorstad about Capturing Forces of Nature and Mass Extinctions in Sound
"It’s really really creepy that we are not thinking more ahead. What will be going on in 500 years? Or even 100 years?"
Lia Mice about Building and Hacking her own Instruments
"Creating instruments and producing music are part of the same project: To make new music that hasn’t been made before."
DJ Rocca about Production, Technology, and Creativity
"I am a classically trained flutist. Technology has completely changed my mind."
Tools of Creation: Disklavier
Jameszoo about an instrument that detaches humanity from aesthetics.
Peter Coccoma about Death, Decay and a Misdiagnosis that changed him
"Death taught me that you shouldn’t wait.“
Heidi Talbot Shares her Creative Process
"I walk for hours and sing ideas into my phone. If you stay open, it's possible to catch an idea."
Grant-Lee Phillips Shares his Creative Process
"For some, writing songs is a kind of necessary evil. That's something I simply can’t relate to."
jaimie branch of Anteloper about Improvisation
"30 seconds as a duo with Evan Parker realigned my atomic make up."
Carl Stone about Production, Technology and Creativity
"A digital working environment is a two-edged sword."
Bryan Senti Shares his Creative Process
"I wanted to connect my world to that of my parents and ancestors."
Matilde Meireles Talks Sound
"Don’t get me wrong, I do like technology. I just have a very particular focus."
Jenny Berkel shares her Creative Process
"The creative state is the most giving place I can imagine. It can also be the most frustrating."
Eraldo Bernocchi (Sigillum S) talks Sound
"Sounds are a utopia that can be heard. They're possibly the nearest thing to a God I can imagine.”
twocolors about Production, Instruments and Songwriting
"We want to implement 100% of what we have in mind. Like a vision of a film."
Linqua Franqa about Rap as Activism and the Contextual Power of the Word
"If you don't fucking know what you're talking about, it's okay to say nothing."
Louise Quinn of Gates of Light Shares her Creative Process
"When my ex-husband listened to one of the songs, he broke down crying."
Heavee about Production, Technology and Creativity
"I consider myself to be tethered to my studio."
Peter Gregson about Sleep, the Subconscious and the Value of Silence
"Everything is possible in a dream state."
Bag Raiders about Modular Synthesizers
"The modular is the ultimate starting point. A kind of limitless inspiration source."
Tangerine Dream about Improvisation, Collaboration and Speculation
"There are no restrictions in our world."
Dave Tucker about Improvisation
"I was messing about - which in turn became improvisation, of sorts."
Tools of Creation: Waldorf Microwave
Stefan Goldmann about a synthesizer which is rewardingly akward to use.
Síomha about Irish, English and the Influence of Language on Creativity
"I find singing in the Irish language so freeing."
Mazen Kerbaj talks Sound
"My childhood was rocked by sounds of shells, bombs, rifles, and tanks. We made competitions to identify a brand of rifle by its sound."
Tools of Creation: Moog Modular
Hannes Bieger about a synth that you can have conversations with.
Melody's Echo Chamber Shares her Creative Process
"Sometimes I am so nerdy and tyrannical about the smallest detail. My producer sometimes thinks it's madness."
Fifteen Questions Interview with Pachakuti & young.vishnu
Always Tradition, always Transition
Christian Winther Shares his Creative Process
"I never wrote for anyone else but me. How can you make anything while thinking about an audience?"
Richard Talbot aka Prospector Sound talks Sound
"The kitchen is always rewarding. Some of my sounds are samples of saucepans."
Xinobi about Production, Technology and Creativity
"I believe in creative mixing. It's the ultimate personality stamp on a piece of music."
Khompa about Production, Technology and Creativity
"I think the element of surprise is fundamental. Isn't that why we make music?"
What do Black Holes Sound like?
"There is a mystery about the inner part of a black hole. I wonder what it would be like to travel there."
Gabriella Vergilov about Healing Music and Dancefloor Existentialism
"It is not beauty that is going to save this world. It's music."
Life On Planets Shares his Creative Process
"I’m not as gifted as Prince. But computers help fill the gaps."
Fifteen Questions Interview with Jarboe (SWANS, Neurosis)
Open the Door to the Corridor of Discovery
Paul Beaudoin about the Electricity of EDM and the Illusion of Time
"I had tears running down my face. How can it be that music is powerless to express anything?"
Roger Eno Shares his Creative Process
"In medieval stone carvings the angels are playing instruments. They're not making coffee or watching television."
Abigail Lapell Shares her Creative Process
"Music is the closest thing I know to the meaning of life."
Heidrunna Shares her Creative Process
"I can cry my eyes out while I’m writing some of my saddest songs."
James Heather about Music as a Tool for Forgiveness
"My jaw was wired shut for a month, and all I saw was darkness."
Lord Pusswhip about Production, Technology and Creativity
"Producers with the most broken, fucked up computers tend to make the best beats."
Simon Whetham talks Sound
"Llistening to the environment is a different experience from listening to a pop song. It takes patience and practice."
Bambounou about the Art of Remixing
"You can create a whole new track from just one second of an original."
Rizomagic about Production, Technology and Creativity
"For us it’s really important to imagine the music before putting our hands on the instruments."
Yung Bae about Collaboration
"At first, when I set out to tackle the new album, it was a bit intimidating."
Steven Brown (Tuxedomoon, Ensamble Kafka) Shares his Creative Process
"Yes, I believe in the presence of spirituality in what I do."
Michelle Willis Shares her Creative Process
"The same impulses that direct everyday tasks come through in our songwriting. That’s what gives music a voice, a character, a shape."
Victor Santana about Music, Sounds in Space and Cosmic Exploration
"I hope to be able to make music on Mars one day."
Fifteen Questions Interview with James Singleton
Moving Humans Forward in the Grand Illusion of Time
Kaori Suzuki Talks Sound
"We've reached a point in Western experimental music where artists are incredibly self-conscious and verbose about where their work fits in."
Topic about Production, Technology and Creativity
"I often find myself looking ages for the right snare. It's a little bit like tinder."
Principe Valiente Share Their Creative Process
"Music might be the most physical and direct earthly religious experience you can have."
Felsmann + Tiley about the Art of Remixing
"100% loving a track is the worst precondition for a great remix."
Jacknife Lee of Telefís Shares his Creative Process
"What if nothing comes? That fear now excites me."
Roland JUNO 106: Tools of Creation
David Agrella about a synth that shaped the sound of a decade.
Hayden James Shares his Creative Process & Views on Technology
"When a song is released it feels like it’s born again to me."
FloFilz about Inspirations and Mental Travelling
"Many people have told me that my beats sound quite melancholic. I guess they're not wrong."
Katie Thiroux about Helping Female Jazz Players Stand up for Themselves
"I find females to listen better and to be more instinctual."
Silke Eberhard about Improvisation
"It's always a wonderful feeling to fill space with vibration."
Lola de la Mata about Tinnitus as a Creative Spark
"I've been fighting against my body for most of my 20s. Now I make music in order to … befriend it?"
Breakbot & Irfane about Production, Technology and Creativity
"We are very far from Prince’s vault."
Kaja Draksler about Building new Musical Languages
A musician told me: "I can hear the mountains of your village in your music."
Polo & Pan about Production, Technology and Creativity
"Technology can be in service of creativity. But the concept of surprise is human."
Hyesu Wiedmann about Film Music and Orchestration
"In a film, I want the music to be the unspoken voice."
Matthew Hawtin about Music & Design
"I’ve never consciously attempted to paint music. Yet unconsciously maybe I am."
Larry Tee about Fashion & Music
"Electroclash was so political - and I became its unofficial spokesperson."
Proper. about going from Black Suffering to Black Genius
"There’s no reason a simple tale about a black American can’t be told."
Chilly Gonzales about Collaboration, Negative Space and Consumed in Key
"Many electronic musicians think that sound can replace melody or harmony. No, it can't."
Richie Hawtin / Plastikman about Technology, Collaboration and Consumed in Key
"It was a incredible, frustrating and annoying. Isn't that why we became artists in the first place?"
Danny Clay about Healing with Music and Music for Hard Times
"Music is a powerfully functional tool. It should be used with the utmost care."
Kevin Saunderson about DJing
"People would say: Who's this cat? We haven't even heard of him! But it didn't take too long to prove myself."
Superpoze about Production, Technology and Creativity
"I'm not a fan of spontaneity in music."
Tommaso Moretti Shares his Creative Process
"Sometimes, the seed of a song will haunt me. I have to get it done to have some peace of mind."
KIDSØ about Production, Technology and Creativity
"Sometimes technology stifles creativity. Especially when you're more into technology than music."
Charlotte Adigéry & Bolis Pupul about Morality, Fun & Uncomfortable Dancing
"Anger is a good starting point to get your point accross. But if you want change, you need to grow past that."
Avery Draut of Night Palace Shares her Creative Process
“I rarely think of starting a song at the beginning.”
Brian Chase about Improvisation
"Whether collaborating or working independently – we can expand ‘who we are.’"
Rhys Fulber (Front Line Assembly, Delerium) talks Sound
"Our brains are still adapting to all the noise. There’s a reason why every third person has insomnia."
Vincent Corver about Improvisation
"Life on earth never dies. It goes through stages of life and dormancy, remaining in a state of constant transformation."
Juheun about Production, Technology and Creativity
"Humans are not ready yet to give machines full control. I'm not sure we'll ever be."
Fifteen Questions Interview with Jeremiah Chiu & Marta Sofia Honer
Infinite Worlds, Infinite Ways
Imanbek about Production, Technology and Creativity
"Every single element of a production should reflect my feelings."
Daniel Bell (DBX, Cybersonik) about Early Inspiration, Detroit in the 90s and “Less is More”
"Ultimately, I wanted to create something that broke away from the old order."
Ken Ikeda about Improvisation
"Most soloists are like the main actor in the spotlight. I'm like a stage designer or cameraman."
Étienne de Crécy about Production, Super Discount & Motorbass
"Chaos and accidents are essential!"
Horse Lords about Just Intonation, the Rhyhm-Harmony Unity and Networks of Constraints
Dense, Dazzling Drones
Rizomagic about Identity, Tradition, and the Colombian Electronics Scene
"Music is as an instrument of union. It is a tool to demolish mind veils."
Johannes Albert about DJing
"We DJs are present at a club to play music FOR people. Give and take right?"
Mary Yuzovskaya about DJing
"My taste is very specific and super narrow - I’m not eclectic at all."
Michael Rother about Improvisation
"What is the creative state like? I don't know. In fact, I'm not sure I would even want to know."
Vittoria Maccabruni About Collaboration
"Out of your comfort zone can be a very interesting place to be in."
Alexander Lloyd Blake of Tonality about making Classical Music Socially Conscious
"Gun violence, climate change, mental health, women’s right - I want to create music that gets people really discussing issues."
Massimo Magee about Improvisation
"Once free jazz exploded in my brain, it changed my perception of what music could be. It changed my life."
Madeline Juno Shares her Creative Process
"I've become addicted to feeling hurt by my own lyrics."
FloFilz about Collaboration and the New London Jazz Scene
"The best collaborations are based on trust."
Damian Dalla Torre Shares his Creative Process
“Sometimes I need a good friend to tell me to stop.”
Markus Rom about Improvisation
"I like it when it’s hard to tell if a piece of music is composed or improvised."
Elles Bailey Shares her Creative Process
“So many great lines were written while I was taking a break to make a cup of tea!”
Nyokabi Kariũki talks Sound
"In Africa, musical engagements are often not divided between stage and audience - everyone is a contributor to the sound.”
Roedelius & Tim Story about Collaboration
“The reason to collaborate is dangerous – to work with someone who is not ‘like’ you.”
Bugge Wesseltoft about Improvisation
"Already Johann Sebastian Bach was improvising over contrapunctual concepts."
Joshua Idehen (Deadelus, Sons of Kemet) Shares his Creative Process
"My early versions can be shit drafts. A lot of shit drafts."
The Range Shares his Creative Process
“It’s not uncommon for me to have 100 different saves of a song.”
Eric Chenaux about Improvisation
"When I am improvising I am often in many states at once. A present-tense that has ghosts all over the place."
Lewis OfMan about Production, Technology and Creativity
"It's like there's an ancient civilisation hiding behind the DX7 algorithm."
DJ Vadim Shares his Creative Process
"To know when a track is finished, when it feels right - that's a hundred million $ emotion!"
Blindsmyth about Production, Technology and Creativity
"You don't need technology to be surprised. That's a marketing trick of the industry."
Kajsa Magnarsson & Marta Forsberg talk Sound
"That’s beautiful - you are the adoptive mother of lost and found sounds!"
Sharon Farber about Scoring for Film
"We touch upon the deepest level of human experience - cliché or not cliché."
LB aka LABAT about Production, Technology and Creativity
"What sets your music apart is the percentage of honesty you put in it."
Lissy Fey Shares her Creative Process
"Some of my lines can only be explained in hindsight. Some remain a mystery."
Chrome Canyon about Scoring for Film
"Film music is like a magic trick - you know you’re being manipulated and the crazier it feels, the more wonderful it is."
Julianna about DJing
"Dancing translates another view of our experience in the world. It’s another kind of listening."
Willy Vlautin of The Delines Shares His Creative Process
"My rituals when writing novels? I have to feel good, and I can’t be hungover. When writing songs, I can be hungover."
Jaimi Faulkner Shares his Creative Process
"I often need to retank after making a record. I need to live new experiences, read, walk, laugh, cry."
DunkelpeK about Improvisation
"Improvisation is a willful adventure into the unknown. It can be scary and disorienting for some."
Melt Yourself Down Share their Creative Process
"No amount of cycling, running, meditating, coffee or incense will help if you’re not happy inside."
Ray Angry of Public Domain / The Roots Shares his Creative Process
"Once I sit down at the piano, the music just pours out of me."
Jamie Lawson Shares his Creative Process
"If a singer sings, “I love you,” and believes it, it can be the best line ever written."
Kasztan (Stal, M83) About Technology and his Creative Process
"Every time I start with an idea, it ends up becoming something completely different."
Awkward Moments about Fashion & Music
"Music has always led fashion. Nearly no one has written a song about a dress."
Christina Giannone Talks Sound
"Sound challenges our beliefs of how the universe is supposed to be."
Peter Knight of Australian Art Orchestra Shares his Creative Process
"I can reach part of myself in music that I can’t in other spheres of life."
Budhaditya Chattopadhyay Talks Sound
"Sound travels from one body to another. And on its path it makes connections."
Kate Havnevik Shares her Creative Process
"I'm like a sculptor. I look at the song and decide if it needs a different shaped nose or bigger ears."
Andrea Oliva about DJing
"Everybody want’s to be the headliner. Everybody wants to smash it."
Merzbow about Improvisation
"If I can't achieve sufficient volume and sound pressure, the nature of the Merzbow experience changes."
Thandi Draai Shares her Creative Process
"Africa is so rich in its native languages - and that’s a powerful thing!"
Niall McNamee Shares his Creative Process
"Being hungover awakens the senses. But that can’t be the answer forever."
Pierre Vervloesem Shares his Creative Process
"Do I have certain rituals? Just walking. Everything else is actor bullshit."
Rob Mazurek & Mauricio Takara of São Paulo Underground about Improvisation
"You can transform a whole tone scale, a brown shoe, the blue sky or a rollercoaster.“
Mladen Kurajica & Daniel Garcia of Tupperwear about Improvisation
"It is fun to get lost for a while."
Omar Péne Shares his Creative Process
"I am a creator. I create at every moment. It is my job."
Ingebrigt Håker Flaten about Improvisation
"It's social music. We need the audience as much as they need us."
Fifteen Questions Interview with Maurizio Vitale aka Lolita Terrorist Sounds
Into Non-Identifiable Space
Tall Heights Share their Creative Process
"We’re trying to create something spiritual in an agnostic sense."
Joshua Lutz aka The Road Up North shares his Creative Process
"The experiment is greater than the plan. It always wins in the end."
Fifteen Questions Interview with Torstein Lofthus of Red Kite & Elephant9
Connected by Something Bigger
Fifteen Questions Interview with Even Helte Hermansen of Red Kite
Music helps a party. Music helps a funeral.
Trond Frønes of Red Kite about the Art & Challenges of Collaboration
"We are looking for chaos. But we also want to be on the same page."
Thierry Maillard of MLB Trio about Improvisation
"Without composition, there is no improvisation."
Hans Joachim Roedelius about Ego as an Energy and doing IT
"We are god's creatures. Not selfmade egomaniacs."
Thomas Fehlmann of The Orb Shares his Creative Process
"I like to hoover the studio before I begin. Or clear up the kitchen."
Deri Dako about Illness, Brain Injury and Creativity
"Medicine and music can help us live betters lives."
